Heritage Interpretation

At Hirebenakal

Over the last year, I have been working on a clutch of heritage interpretation projects for the Archaeological Survey of India (ASI). Some of these were at some megalithic sites in north Karnataka, some at sites that have Ashokan inscriptions, and a recent set that I just finished was in Bhatkal and Mirjan in North Kanara. Here are pictures of some of the signs. Concept, research and writing by yours truly. Illustration and design by two gifted young women, Sneha Prasad and Nikita Jain.

At Hirebenakal

At the Ashokan edict site at Gavimath. That's a portrait of Ashoka there!

At Bhatkal 

Bhatkal's alluring charm

A few weeks ago, I was in that most beautiful of regions, coastal Karnataka. WHAT a sight for sore eyes: mountains partially veiled by mists, vistas of various shades of green, and the almost-constant pitter-patter of life-giving rain. Shah Jahan had it wrong. If there is a heaven on earth, it is here, it is here, it is definitely here.

We were in Bhatkal, a quiet and charming little town full of beautiful old houses and handsome men and women. Yet who would have thought that five hundred years ago, this same town bustled with activity, being the mighty Vijayanagar Empire's principal port city?? Those were the good times for Bhatkal - business boomed, the economy flourished and money accumulated. Prosperity manifested itself in many ways. A number of large and grand temples and palaces were built in the town, most of them with donations from successful businessmen. The palaces are long gone but a few of the temples still survive. In fact, the very picturesque area of Mudbhatkal, a suburb about 2 km away from the main town, has a clutch of about 6 old temples, all situated in picture-postcard types of settings amidst paddy fields and coconut palms. Some like the Khetapai Narayana temple are fairly well-preserved, others like the Adikenarayana temple, are little more than partial walls and a roof. All are definitely worth a visit, especially the Adikenarayana and the Lakkar Kamti.

The only way to get to this last temple was by walking through the fields. It was quite an enchanting sight, a lone brown shrine marooned in a sea of waving paddy fields. I had assumed the temple was abandoned. Perhaps that is why I found a certain poignancy to the simple garland of white flowers draped around one of the idols. The temple might have been isolated but someone still took the trouble to adorn the idol everyday.

You can read a little more about Bhatkal and its temples in this article which appeared in Deccan Herald a few weeks ago.

Ah Chitradurga!

I had the pleasure of working on a project for the Archaeological Survey of India at Chitradurga recently: some colleagues and I installed some heritage interpretation panels there. What a vast and impressive fort this is!

On one of our visits, hubby and I managed to get to the fort at the unearthly hour of 6:00 am! And incredibly, we were not the only ones hanging about there, waiting for the gates to open. There was actually a rather interesting motley crowd, made up of two sleepy tourists (that's us), a lot of barefoot sari-clad women and dhoti-clad men - these were devotees who come to pray at the temple's many forts - and then there was a group of men in sneakers and shorts. It was only when we reached the Hidimbeshvara temple at the top of the fort that we realised what this last bunch was there for...Let me put it this way: who would want to work out in a stuffy old gym, when you could instead exercise in the brisk, invigorating air, in front of a 1000-year-old temple in a medieval fort atop a hill with a glorious view of a pink sunrise?

Apart from the many visits to the fort (which, of course, were the best parts of the project!), I really enjoyed researching this fascinating fort - its history, its design, its water-harvesting systems, its battles, the redoubtable Onake Obavva...

Of course, only a fraction of all this made it into our interpretation panels. Here are some photos of our panels. We wanted the panels to have a strong visual element so that people could have something to look at as well as read. The panels are all at waist height so that they are easy to read for adults, but can be read by children too. We've also kept the language simple so that anyone who has studied up to the 6th or 7th Std can read and understand the panels.

If you have been to Chitradurga recently and have seen our panels, I would love to know what you thought of them. And if you haven't been to Chitradurga, well, what are you waiting for?